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Good body structure allows the Wing Chun practitioner to yield like a willow in the following manner :-
• remain in the same spot while absorbing the opponent's strength into the Wing Chun practitioner's body through the creation of a force path vector directly from the receiving point to the ground where the opponent's strength is re-channelled harmlessly
• pivot the body while controlling the centreline and guiding the opponent's attacks to fall onto the neutralizing shoulder path defined by the two-dimensional equilateral triangle where the opponent's strong force becomes harmless
However the dynamics of an actual combat is such that sometimes the Wing Chun practitioner have to step, more so if faced with an opponent who can move swiftly or is exerting much more power than what the Wing Chun practitioner's static body structure is able to absorb. This is where the use of footwork in the second part of the maxim “ Ying Siu Bo Fa” comes into play.
In our Wing Chun the use of footwork enables the Wing Chun practitioner to remove his body totally from the path of the force or by following the direction of the opponent's force vector.
The use of footwork requires the Wing Chun practitioner to move to a more strategic position from which to counterattack while keeping the body weight distributed 100% on the rear leg coupled with the shoulder path alignment.
The use of footwork in Wing Chun has other purposes. Its introduction expands the range of movements available to the Wing Chun practitioner not only neutralize but close the gap, chase, adhere, stick and follow the opponent's movements in all directions. At the same time the opponent constantly finds his movements cut off, restricted or falls on empty space without having the opportunity to use his strength to strike back at the Wing Chun practitioner.
10) When I watch people Chi Sao, it is easy to detect the tension and reliance on strength during his training. Would you explain in your words the meaning of relaxation and how to relax in Chi Sao?
DM : Proper relaxation is not the same as letting the body go limp. In my words, I define relaxation as “not using unnecessary muscular exertion that does not contribute to the efficiency of the movement in achieving its objective”.
To me, Wing Chun is no doubt a Noi Gar Gung Fu (internal martial arts style). Actually, by achieving the requirement of Noi Gar Gung Fu which will be explained in detail in the next question, can already achieve relaxation during Chi Sao.
11) There has always been debate as to whether or not Wing Chun is an internal, or external martial system. Would you mind telling me what your thoughts are on this?
DM : The debate is mainly due to different definition on what is internal or external martial system. To me, an internal martial art is defined by the four criteria as below :
• “ Yuk Yau But Yuk Keung ” ( 欲柔不欲強 ) – this means that the Wing Chun practitioner should yield rather than resist against the opponent through the use of muscular strength. The key word for this criteria is “Soft”, viz being able to absorb and neutralize strong force.
• “ Yuk Shun But Yuk Yik ” ( 欲順不欲逆 ) – this calls for the Wing Chun practitioner to move in harmony rather than against the opponent's flow of force. The key word for this criteria is “Harmony” viz join the opponent's movement and from there lead the opponent's movement to emptiness. It implies economy of motion.
• “ Yuk Ding But Yuk Luen ” ( 欲定不欲亂 ) – this requires the Wing Chun practitioner to move steadily rather than erratically in order to maintain the centerline at all times. The key word for this criteria is “Steadiness” viz maintain the centerline in the face of an onslaught is crucial in the strategy of Wing Chun. Also, moving steadily and calmly rather than erratically. This also implies the concept of economy of motion.
• “ Yuk Jui But Yuk San ” ( 欲聚不欲散 ) – this is translated into application to ensure that the Wing Chun practitioner is using his body mass properly by converging rather than spreading out his body resources inefficiently. The key word of this criteria is “Convergence”. The use of the Yee Jee Kim Yeung Ma and Body Squaring allows the practitioner to focus his entire body mass by convergence.
From the characteristics of Wing Chun, it should perfectly match with the criteria of internal martial system. So I regard Wing Chun as internal martial arts system.
I also heard other definition of internal style. It is said that open-armed techniques of a style is classified as external while close-armed is internal. From this definition, Wing Chun should also be categorized as internal martial system.
12) Pole training today is obviously not well suitable for self defense, as carrying around a 9.5 feet pole is out of the question. What benefits are gained from pole practice if not for self defense?
DM : To me, any old style weaponry in Chinese martial arts like spear, pole, knives, long bench… are no way to compare with today's fire weapons. The value of weapon training in Wing Chun is just to supplement our empty hand techniques in the way of stance, positioning and power. Pole practice can mainly benefit the training of power of arm and waist.

13) Can you explain what attributes are developed for each of the three forms?
DM : Basically, the three empty hand forms are a sort of “Kuen Chung” (Seeds of Fist) which mainly for conceptual training. Applications needs to be learned from Chi Sao.
Siu Nim Tau trains a Wing Chun practitioner's concept of relaxation, centerline, body-squaring and static elbow. It also introduces the basic Wing Chun stance, Yee Jee Kim Yeung Ma and Wing Chun's basic defending and attacking techniques.
Chum Kiu further trains one's concept of shoulder path, single weighted stance and Yiu Ma Hop Yat (concurrent waist and stance). It introduces 2 more Wing Chun stances, Pien Sun Ma and Ching Sun Ma which are evolved from Yee Jee Kim Yeung Ma. Footwork like biu Bo, Tor Bo and body pivoting techniques are introduced in this form.
Biu Jee introduces more deadly attacking techniques like Gwai Jarn, Man Sao, High-low Gaun Sao, Biu Sao and double Lap Sao and Chap Kuen. Long bridge power and the other footwork technique, Huen Bo are trained.
14) I understand that your particular method of Chi Gerk training is done without initially holding each others arms for support and balance. Can you explain how your teach Chi Gerk training to your students and the basic premise of Chi Gerk training?
DM : The way I teach Chi Gerk training to my students is shown in the following pictures :
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